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Posts tagged ‘pierde almas’

Celebrating Pierde Almas’ pechuga in Chichicapam

I had the extreme honor of being invited to a party to celebrate the release of Pierde Almas’ new pechuga. It was held at the palenque in Chichicapam where, last year, I had attended another party and well, we’ll just say, consumed way too much mezcal.

This year’s party was more formal, with tables covered in white linens and food prepared by the chef from Oaxaca’s Pitiona restaurant. A pig was being roasted, and a special salsa was being prepared from the fruits used in the pechuga’s distillation. It was also a chance to meet Jonathan Barbieri, the owner of Pierde Almas, and to hang out with the brothers Sanchez, who make the mezcal. There were also several importers, and much to my surprise, Josh Harris, from Bon Vivants in San Francisco. He and I have exchanged emails, but never have met in person.

Miguel Sanchez overseeing the conejo

In addition to this year’s pechuga (a heady combination of spice, sweet and just a smidge of savory) there was also a new mezcal that had been made with the traditional gin herbs in its third distillation. I am not a gin drinker so my best evaluation is that it tasted exactly like gin has always tasted me (cloying), with an undercurrent of a strong espadin.

There was a band playing as we ate. I sat at the table with Miguel Sanchez and Domingo Orollo who is overseeing the gin mezcal project. He was involved in the creation of Del Maguey’s Vida and is a chemist by trade. This is a growing trend – more chemists becoming involved with mezcal production.

I was driving that day, a deliberate choice to ensure there would be no repeat from last year’s drunken revelry. It is a running joke between Alfonso and I – that after last year’s insanity, and my mother’s presence, that she has forbidden me from ever drinking with him again.

 

Prepping the hare

As the sky began to darken, we moved from one part of the palenque to another where the stills are located, in order to watch Alonso start the process of distilling this year’s conejo (a pechuga, except with a wild hare instead of a turkey.) We watched as Alfonso measured out the spices (a turbinado style sugar, anise), fruits (apple, banana, pineapple), rice and then finally the hare placed in a cheesecloth bag with yerba santa. The fermented maguey was loaded into the still, along with the other ingredients (the conejo bag would hang above the mix) and then sealed. It would distill all night long.

Alfonso Sanchez measuring ingredients

The music began again, more people arrived, including La Señora Sanchez and the other female relatives – sisters, wives, nieces – and we danced. Finally we left so as not to be on the road too late at night. We gave Domingo a ride back to the city, talked more about chemistry in mezcal, and the plans awaiting us that night (Austin TV at Café Central or La China Sonidera at Txalaparta.) Perhaps the best part of having Domingo in the car with us was having him navigate the new highway (the one that will eventually go all the way to Puerto Escondido) that circumvents Ocotlan and cuts the return time almost in half. It puts you on a road that has reflector lights, a smooth surface and is blissfully free of topes.

SF Cocktail Week – Jumpstarting with mezcal

I definitely see the possibilities of a regular mezcal Monday.  Last night it was at Rio Grande on Market Street—a kickoff of sorts for SF Cocktail Week and hosted by Ryan Fitzgerald, former Beretta star bartender/mixologist, driving force for the Tequila Interchange Project (TIP), and now western sales rep for Del Maguey.

The $20 entry fee (all proceeds going to TIP) got you an evening of mezcals, mezcal cocktails, beer ,and tamales. Pierde Almas, Alipus, and Del Maguey were being poured. I am still trying to embrace cocktail culture – I’ve always liked my drinks neat, or as minimally embellished as possible but, in the spirit of cocktail week, I asked for a mezcal variation on an Old Fashioned.

Crushing ice from block by hand 

It was still early, the crowd small, the bartender carefully scraped ice from an ice block on the bar, then lovingly measured, poured, and stirred my drink as I replayed Mr. Mixologist over and over in my head.

Del Maguey’s Vida is the bartenders’ choice for mezcal cocktails. It’s versatile and works with just about anything as we’ve previously written. I think in the coming year or so, Puritita Verda (Pierde Almas’ lower price point mezcal) will give Vida a run for the money.

The variation on the Old Fashioned was good – I prefer cocktails that have a more savory flavor. To go the opposite extreme, I asked the bartender to mix a mezcal variation of a lemon drop. I was hoping it could come close to that sublime lemongrass infused mezcal I had in Oaxaca last spring. Sadly the cocktail was far too sweet for my palette and the mezcal was completely overpowered by the citrus.

I tracked down Ryan to get an update from him on NOM-186, which is still making its way through the channels in Mexico. TIP has been at the forefront making recommendations and counter proposals to help ensure that some of the more draconian parts of it (the branding of the word agave for one) are modified and that small producers aren’t completely SOL. We’ll have a more in-depth piece about this next week.

A sweet surprise to the night – a chance to try Tosba, a mezcal produced in the Sierra Norte in Oaxaca (a mountainous and heavily wooded area east of Oaxaca city) and not yet available in the US (though they are working on it). Mezcals from the Sierra Norte are not commonly found outside of the area. They are rumored to be made with the purest and sweetest water in Oaxaca. Tosba is a family operation, and Elisandro Gonzalez-Molina is the US face for the brand. He was pouring an espadin and a pechuga – both were delicious. The espadin was smooth, balanced, and earthy with an underlying finish of sweetness that hung on my lips. The pechuga was divine – with a complex layering of savory, subtle roasted maguey, and fruit.  I definitely put it in the top 3 of pechugas I’ve had. It was a great way to end the night.

As a heads up, I will be pouring mezcals at the Third I Filmmakers/VIP party this Saturday night at the Castro. On the table will be Pierde Almas, Del Maguey, Alipus, Metl, and the Tosba Espadin.  Of course we’ll also have a private reserve surprise. Tickets are still available!

A Taste of LA with mezcal

It was a whirlwind Labor Day weekend in Los Angeles at the Taste of LA held in Paramount Studios’ sprawling old New York back lot. It felt very much like a street festival with potholes and cracked sidewalks which ensured that the high heeled crowd had to tread carefully.

I missed the first session, a Field to Fork extravaganza, but hit the Cocktail Confidential program full force. The plan was to talk tequila and mezcal along with Bricia Lopez at the Taste of Mexico’s Hoy Café spot but on occasion the best laid plans are pushed aside when the drinks are flowing and conversation is bubbling along non-stop.

LA is a mezcal town, people get it, there is no question in their eyes when you say the word. The experimentation in restaurant kitchens and bars is a normal expectation.  Father’s Office showcased a to-die-for Bloody Maria made with mezcal and kimchee while Crème Caramel LA debuted its Kalamansi (a Philippine lemon) Mezcal bread pudding Creme Caramel.  But most of all there is excitement about agave distillates. When Bricia cracked open a bottle of the Pierde Almas Tequilina Weber we had to hold back the crowd. It is bold, delightfully smooth, and incredibly delicious.  It’s fascinating to see a mezcal like this made from the agave that’s used in tequila.  Del Maguey also has one on the market, the San Luis Del Rio Azul, as part of its Vino de Mezcal Series so this may be part of a larger trend.   In any case, we are planning our second Pop-up Mezcaleria to delve into the tequila vs. mezcal conversation so we’ll be tasting tequilas and mezcals made from the same agave.   Stay tuned for more information.

There was not nearly enough food on cocktail night to offset the generous pours, so it was amusing that there weren’t nearly enough alcoholic parings for the next day’s Flavors of LA session.  As always,  Jonathan Gold‘s carefully curated restaurant list was fresh and exciting and I can’t wait to return and dig even deeper into LA’s constantly evolving culinary variety show. Fantastic treats like Wurstkuche‘s rabbit sausage, Bulgarini‘s olive oil and salt ice cream, Mo-Chica‘s unagi wrapped by mashed potato goodness, Border Grill‘s taco extraordinaire, and Street‘s sweet potato bhel puri kept the taste buds well stimulated.

Later I listened to the panel discussion of local food trends with Evan Kleiman, Jonathan Gold, Gustavo Arellano, and Sang Yoon.  Who knew chefs and critics of their caliber could make Doritos and Del Taco such interesting conversation topics? I also caught the Mexican food talk that featured the Taste of Mexico chefs covering issues like “authenticity”, the perception that Mexican food needs to be cheap, bringing ingredients across the border (no fresh chiles for one), and regional variations in food influences.

A true highlight of the weekend was meeting Javier Cabral, perhaps the only other person who has equal love for mezcal and punk rock. Oh yeah, and pulque.

And of course there was being able to swim, in an unheated pool, at night, without thought of hypothermia.

Exciting Updates for July 25 Pop-up Mezcaleria

As we’ve previously posted, we’ll be hosting our first mezcal tasting in San Francisco on July 25th. We’ve got some pretty exciting news to share about the event. First, we’re thrilled to present the US premiere of Alipús and will be featuring their San Andrés mezcal made by Don Valente Angel. It will also be the first opportunity for people here in the Bay Area to taste the Metl Espadin, Madrecuishe blend made by Señor Don Lucas of Miahuatlan. You definitely want to be among the first to experience these new mezcals. Also in the line-up – Pierde Almas’ Dobadaan and Del Maguey’s Minero.

Additionally, we’re working with Oakland’s Tamarindo Restaurant on some great food pairings, including Tacos de Chicharron made fresh from El Taco Bike, and Tortas Ahogadas with a divine chipotle sauce. We’ll also be showcasing a brand new cocktail developed by Tamarindo that will feature the Wahaka Joven. And no party is complete without musical beats from DJ EKG.

For ticket information, please check here.

Max, Bricia and I are looking forward to seeing you!

The conceptual art of mezcal

A recent interview with Ron Cooper in Class Magazine reminded me that long before he got into mezcal he was a dynamic and important part of the Los Angeles art scene that has been exhaustively chronicled by the big Pacific Standard Time exhibits across LA this year.  There’s a bit more about it in this LA Times Magazine piece from 2009 but here are just a few great reminders of the fecundity of that scene and Cooper’s role in it:

A still from the original Ball Drop film

A recreation of the Ball Drop film for the the PST series.  John Sedlar’s second Los Angeles restaurant Playa celebrated the entire PST exhibit by creating a secret menu featuring a special Ball Drop cocktail for their PST menu in February.  I can attest that it was something special.

Just to round things out, a few examples of his work since 1970 and recent Cooper paintings.

None of this is exactly news but given that Jonathan Barbieri from Pierde Almas and Guillermo Olguín from Los Amantes are both painters perhaps there’s a trend here.  Who knows what other creative ventures by mezcal makers are out there.

 

Silvestres and espadin tasting

We just finished our third tasting this time focused entirely on mezcals that we brought back from a recent trip to Oaxaca.  We paired off silvestres and espadins for comparison and contrast.  All are in the traditional Oaxacan style.

We tasted:

1) Pierde Almas Espadin

2) El Prometido Espadin (private collection)

3) Cuish Tobaziche

4) Farolito

Profiles:

This tasting was set up for traditional Oaxacan mezcals so it favors the heavier body, higher alcohol content and more fruit forward approach that most brands eschew when they approach the market in the United States.

1) Pierde Almas Espadin comes from the Chichicapam region of Oaxaca and is produced by Alfonso Sanchez and his brothers.

2) El Prometido Espadin is a palenquero’s special blend from San Dionisio that we brought back from a recent tasting outside of Oaxaca.  We’re sworn to secrecy on who produced it but it’s a very traditional 100% espadin.

3) The Cuish Tobaziche is a silvestres or fruit of a wild maguey called Tobaziche.  It’s from Miahuatlan and is made in the traditional style, a truly artisanal product and, at 53%, is incredibly powerful.

4) The Farolito is the fruit of mezcal author and critic Ulises Torentera’s first venture into actually creating a mezcal for his own tastes. This particular mezcal is from San del Rio. It’s also a silvestres but of the cuesh variety and also incredibly powerful at 43%.

Descriptions

1) At c50% Pierde Almas’ espadin is no shrinking violet but the alcohol doesn’t overpower the strong agave flavor and round body.  There’s a really focused balance between a spectrum of roasted and caramelized flavors, a slight residue of smokiness and alcoholic kick.  One of our super tasters detected notes of “wet cement” or  minerals while others mentioned hints of citrus, perhaps grapefruit, with slight pepper notes.

2) Our mystery participant is also 100% espadin, and is slightly less alcoholic at 48% but glories in demonstrating alcoholic heat at the front of the mouth.  It has a strong mid-palate agave flavor and a huge body.  It’s not viscous but incredibly round like the Del Maguey Vida.

3) The Cuish Tobaziche is an incredibly complex mezcal that doesn’t get overwhelmed by it’s 50%.  Flavor elaboration is varied and complex with notes of nut, citrus, agave and pepper.  It has a relatively middle of the road body, especially when compared to the El Prometido espadin.

4) The Farolito Cuesh has an incredibly sharp agave flavor with lots of variation.  Like the Cuish Tobaziche tasters noted flavors of nuts, citrus, a lighter agave and pepper but this one really displayed that “wet cement” flavor that our super taster noted in an earlier espadin.

As you can tell the silvestres had a very strong showing.  Their flavors were off the charts when compared to the 100% espadins that preceded them in this tasting and in quick sideline tastings with other espadins.  Being the fruit of wild plants they’re proportionately more expensive, these bottles are easily 200% the price of the espadins in Mexico and will probably retail for north of $100 in the U.S. market.   Nearly everyone in the tasting was surprised by the high alcohol content of all the mezcals in this round because no one thought that they tasted overly alcoholic.

The spellings of silvestres vary widely so we always follow the brand’s spelling.  When we have some additional background information we’ll offer it.  In this case Tobaziche is most likely Madrecuixe (Agave karwinskii) which has a rather distinct appearance.

Agave karwinskii

Agave karwinskii. Photo by Alex Huhn from http://www.mezcaleria.de

 

 

 

 

 

 

 

 

However the Cuesh in the Farolito could be a number of things.  We have a query into Ulises Torentera on the exact species.