Over my years of visiting Oaxaca, Asis Cortes and I have never managed to be here at the same time. This trip is no different, but luckily, I was finally able to get out and visit a few of the palenques they work with. Special thanks to Puro Burro and Zack Safron who used to be a San Francisco based bartender. He has since made the leap to Oaxaca which is quite a trend with bartenders. Zach occupies a fascinating spot in the mezcal world: He works closely with Puro Burro which leads trips to Oaxaca geared toward the hospitality industry, and is a bartender at Mezcalogia, Asis’ Oaxaca mezcaleria. Zach acts as a kind of connector for the Casa de Cortes “empire” with Mezcalogia and the world outside of Oaxaca. His love and enthusiasm for mezcal, and Oaxaca, cannot be overstated. Read more
Posts from the ‘Sustainability’ Category
Like a lot of people in the world of mezcal, this is an issue I think about a lot – how to find the delicate balance of promoting an amazing spirit with supply and production limitations. The New York Times piece that hit over the weekend, Here, Try Some Mezcal, but Not Too Much, came just as I was mulling over how to write about the current demand for heirloom corn from Mexico and potential problems that could arise. Read more
Misty Kalkofen, Del Maguey‘s Madrina (godmother) is a big ball of energy when it comes to her passion project – mezcal and sustainability. If you haven’t already checked out the sustainability blog at the Del Maguey website, you should. It is highly significant that the brand that pretty much launched the mezcal category as we know it today has a dedicated space on their website discussing issues impacting the mezcal industry– this is a real issue that the category as a whole must address. Read more
Last night’s inaugural Spirited Conversation at Midtown’s Cantina Alley was fun and super interactive. Rion Toal of the Maestros del Mezcal cooperative tasted us through six mezcals from five different producers and led the talk that covered a broad range of topics from distinctive production styles, agaves used, background on the makers, cooperative programs, hot topics of sustainability, economic impact, and the need to know more about where your mezcal comes from. Read more
Just when we start really digging into the different ways to unpack the new NOM-70, Sombra Mezcal founder Richard Betts published this incredible piece. It’s a scoping piece of honesty and transparency from a mezcal brand. More than anything it’s incredibly refreshing – if we all could engage on this level all of the time the world would be a much better place. Read more
In early November I was fortunate enough to attend a Sagrantino de Montefalco tasting at Perbacco. Sagrantino is the grape, Montefalco the region within Umbria in Central Italy. This small appellation doesn’t get much exposure outside of the wine world. Not much is made, the price point reflects that, and the structure of these wines cries out for the cured meats, wild boar, and pastas particular to Umbria. That shouldn’t deter you from trying it because Sagrantinos are truly fantastic and unique. But this is a mezcal blog so what do they have to do with mezcal? Read more
We all knew that the big liquor companies were coming to mezcal. Zignum, Beneva, and others have been around for a while but the really big distributors like Diageo jumped into the game last year, signing a distribution deal with Mezcal Union, while Pernod Ricard sounds like it’s launching a mezcal in the next few months. Read more
The evening before this year’s Mezcal: Mexico in a Bottle San Francisco we hosted a panel titled “What We Talk About When We Talk About Sustainability” to dig into the raft of questions about sustainability in the mezcal industry. Aside from our debt to Raymond Carver the panel was inspired by the consistent questions from drinkers and bartenders throughout the world about how mezcal can be made in a way that ensures environmental, cultural, and economic sustainability.
The topic comes up in almost every conversation and since we had a team of brand heavyweights in town the moment was ideal for the discussion. Susan Coss moderated the discussion between Judah Kuper from Vago, Raza Zaidi from Wahaka, and Ivan Saldaña from Montelobos. We were also privileged to host many other brand representatives in the audience including Fidencio’s Arik Torren, Erick Rodriguez, William Scanlan, and more. Read more
Now that the new NOM 70‘s categories of Ancestral, Artisanal and Mezcal are here it’s time to consider how the Law of Unintended Consequences is going to impact the mezcal world. As we’ve outlined before, 70 increases transparency for the consumer in understanding what is in their bottle and how it has been made. Can you think of another spirit that goes to these lengths?
But don’t confuse this new labeling system with sustainability – that’s a completely separate issue that everyone is grappling with in one way or another. It’s an especially hot topic now because mezcal is growing at a galloping pace: 2016 mezcal sales are set to outpace 2015 by more than 20%.
How to drink sustainably?
If ever there were a book for our time, this is it. Sarah Bowen has really captured a moment and set of issues with Divided Spirits: Tequila, mezcal, and the politics of production. With the new NOM proposal dropping over Thanksgiving along with its béte noir 199 the recent history and investigation into what makes the tequila and mezcal industries tick in Divided Spirits will bring you right up to speed. We’re at this moment in time when big tequila remains incredibly popular, mezcal is a newcomer, and indie tequilas are proving just what artisans can do with blue agave. But the margins and growth are all on mezcal and indie tequila’s side, consumers want distinctive drinks that at least have a story, ideally one that’s true. You see the same trend everywhere, it’s what drove major brewers to purchase major beer indies like Lagunitas and Ballast Point late last year and what drove Patrón to create Roca.
How did we get here? It’s pretty simple: While tequila grew by leaps and bounds as an incredible export through the post war era it really took Patrón and its followers in the 80’s to establish tequila as something with its own unique coolness factor. That led to enormous demand for tequila; to sip it, shoot it, mix it in cocktails. Hell, Robert Towne, who wrote Chinatown among many other classic movies, even titled his 1988 film Tequila Sunrise in the midst of this boom. Soon enough tequila was stocked in every bar worth its salt while tequila bars proliferated and the margarita became the most popular cocktail in the United States, if not the world. That much demand meant enormous production which, in the inexorable capitalist logic to these things, led to the complete industrialization of tequila. The bottles, dollars, land, agaves, and everything involved in this story are staggering. But it all meant one thing, what was once a dynamic and original spirit had become sadly commodified.